{"id":3742,"date":"2012-06-08T14:54:26","date_gmt":"2012-06-08T12:54:26","guid":{"rendered":"http:\/\/icbie.net\/blog\/?p=3742"},"modified":"2012-06-08T14:54:26","modified_gmt":"2012-06-08T12:54:26","slug":"tonights-cineforum-with-a-classic-story-brazilian-style","status":"publish","type":"post","link":"https:\/\/icbie.net.br\/pt\/tonights-cineforum-with-a-classic-story-brazilian-style\/","title":{"rendered":"Tonight\u2019s Cineforum with a Classic Story, Brazilian Style"},"content":{"rendered":"<p>\u00d3pera do Malandro, <em>tonight&#8217;s wonderful film, is based on a great satirical story with a long history. \u00a0It starts with John Gay&#8217;s <\/em>The Beggar&#8217;s Opera <em>in\u00a01728 and proceeds through the centuries to\u00a0<\/em>The Threepenny Opera<em>\u00a0(1928), with\u00a0<\/em><em>its re-adaptation by Bertolt Brecht, and then its transposition to Brazil with Chico Buarque&#8217;s 1978 musical,\u00a0<\/em>\u00d3pera do Malandro<em>, finally becoming a film only in 1985. \u00a0Perhaps the most amazing thing about this fine musical comedy is that, despite it cumbersome history, Ruy Guerra&#8217;s film is thoroughly Brazilian in spirit.<\/em><\/p>\n<p><a href=\"http:\/\/www.icbie.net\/blog_old\/wp-content\/uploads\/2012\/06\/cine-junho-opera-malandro.jpg\" title=\"Opera Malandro\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.icbie.net\/blog_old\/wp-content\/uploads\/2012\/06\/cine-junho-opera-malandro.jpg\" alt=\"Opera Malandro\" height=\"611\" width=\"450\" \/><\/a><\/p>\n<p>O ICBIE, atrav\u00e9s do Pr\u00eamio Mais Cultura,<\/p>\n<p>gostaria de convid\u00e1-lo para as exibi\u00e7\u00f5es de filmes do nosso Cineforum.<\/p>\n<p>Filme: \u00d3pera do Malandro \u00a0 \u00a0 \u00a0 Dire\u00e7\u00e3o: \u00a0 \u00a0Ruy Guerra<\/p>\n<p>Censura: \u00a012 anos<\/p>\n<p>Local, data e hor\u00e1rio: \u00a0Sede do ICBIE, 08 de junho, sexta-feira, \u00e0s 19h.<\/p>\n<p>Um pouco sobre o filme&#8230;<\/p>\n<p>Rio, 1941. Em plena Segunda Guerra, malandros, prostitutas, contrabandistas e policiais protagonizam trama de intrigas nos cabar\u00e9s e ruas da Lapa, o reduto da malandragem e da bo\u00eamia cariocas. Inspirando-se no cl\u00e1ssico de John Gay e na pe\u00e7a A \u00d3pera dos Tr\u00eas Vint\u00e9ns, de Bertold Brecht e Kurt Weill, o genial Chico Buarque escreveu o espet\u00e1culo musical \u00d3pera do Malandro. Em meados dos anos 80, o conceituado cineasta Ruy Guerra (Os Cafajestes) transp\u00f4s a obra para o cinema.<\/p>\n<p>Venha, traga a fam\u00edlia e amigos. \u00a0Contamos com a sua presen\u00e7a!<\/p>\n<p>Entrada Franca<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00d3pera do Malandro, tonight&#8217;s wonderful film, is based on a great satirical story with a long history. \u00a0It starts with John Gay&#8217;s The Beggar&#8217;s Opera in\u00a01728 and proceeds through the centuries to\u00a0The Threepenny Opera\u00a0(1928), with\u00a0its re-adaptation by Bertolt Brecht, and then its transposition to Brazil with Chico Buarque&#8217;s 1978 musical,\u00a0\u00d3pera do Malandro, finally becoming a film only in 1985. \u00a0Perhaps the most amazing thing about this fine musical comedy is that, despite it cumbersome history, Ruy Guerra&#8217;s film is thoroughly Brazilian in spirit. O ICBIE, atrav\u00e9s do Pr\u00eamio Mais Cultura, gostaria de convid\u00e1-lo para as exibi\u00e7\u00f5es de filmes do nosso Cineforum. Filme: \u00d3pera do Malandro \u00a0 \u00a0 \u00a0 Dire\u00e7\u00e3o: \u00a0 \u00a0Ruy Guerra Censura: \u00a012 anos Local, data e hor\u00e1rio: \u00a0Sede do ICBIE, 08 de junho, sexta-feira, \u00e0s 19h. Um pouco sobre o filme&#8230; Rio, 1941. Em plena Segunda Guerra, malandros, prostitutas, contrabandistas e policiais protagonizam trama de intrigas nos cabar\u00e9s e ruas da Lapa, o reduto da malandragem e da bo\u00eamia cariocas. Inspirando-se no cl\u00e1ssico de John Gay e na pe\u00e7a A \u00d3pera dos Tr\u00eas Vint\u00e9ns, de Bertold Brecht e Kurt Weill, o genial Chico Buarque escreveu o espet\u00e1culo musical \u00d3pera do Malandro. Em meados dos anos 80, o conceituado&#8230;<\/p>\n","protected":false},"author":2,"featured_media":6158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"footnotes":""},"categories":[96],"tags":[],"class_list":["post-3742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-icbie-news"],"_links":{"self":[{"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/posts\/3742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/comments?post=3742"}],"version-history":[{"count":0,"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/posts\/3742\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icbie.net.br\/pt\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/media?parent=3742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/categories?post=3742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icbie.net.br\/pt\/wp-json\/wp\/v2\/tags?post=3742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}